The Underlying Concept Behind : Self-Spirit of Nature

This individually inventive work is aimed to gather and present my personally creative work of "LITHOGRAPHY", the step - by - step development of ideas, and "ABSTRACT" form.
"Form of New Expression", one of the works during 1988 to 1989, was created to present the conceptual attitude towards the natural resources; for example, mountain, earth, plant and natural phenomena from storm, weather, tide, sunlight and the movement of the earth axis, which affects the integration or disintegration within this world.
What is perceived from the natural movements influences me to learn new thins and create more about the relationship between the attitude towards the natural ab stract and the state of identically inside emotion.

"Abstract", in my opinion, is the natural perception. For example, wind produces senses of coolness, relaxation, tenderness and systematically natural motion.

"Sunlight" produces senses of heat, warmth, brightness, clearness or, on the other hand, independence and hope.

"Water" produces senses of life, freshness, fulfillment, coolness and depth.

"Earth - Stone" produces senses of homogeneity, unity, identity, firmness supported the basement of all objects. These meanings are made up from the four elements, earth water wind and fire, carried out on unavoidable facts; start, existence and extinction. "Power and time" are also included in these messages.

Futher to the above, "Significant Abstract of Form", my another piece of works during 1991 to 1992, was still applied from my personally conceptual perception in natural abstract and the study of Buddhism philosophy about the belief and power hidden in the "form" (or so-called "shape") of religious objects. For example, molehill or a pile of earth, stoopa, pagoda and etc. were used as the guideline for studying and developing "form" (or "shape") so as to create the relationship between the inside identity and outlined form.
It was related to the emotion and concept of altering the form as necessity without details but emphasizing on creating the work from all - element concept, presenting the power of mystry, firmness, peace and fulfillment.

Besides, my consensus on concentration and meditation in the Buddhism philosophy was also applied on the "Significant Abstract of Form" work.
It was the inspection on the status of in - depth necessity of uniform or reality because the abstract form can imply various meanings rather than its own observed characteristics.

The way of considering and thinking of the natural paths of factual dhamma and the inner emotions, perceiving a Buddhism philosophy that "world is versatile" and "sankharn (or sankharn in Buddhism) is unstable", is the phenomena unavoided in this "world and universe", showing "power and time". All of these meanings were my conceptually condensed ideas for presenting this "Significant Abstract From Nature" work during 1994 to 1996.
The main idea was "unstillness and all changes by nature can be happened and extinct by themselves which are connected between two worlds - observed or physical world and unobserved or thoughtful world (spiritual world), related to "power and time" in two characteristics. They are power of nature which can cause alteration and power of mind"

Form of New Expression A.H./89 Lithograph 69 x 86 cm.

Untitled B/90 Lithograph 81 x 102.5 cm Award : 3rd Prize, Bronze Medal: Graphic Art Section, The 36th National Exhibition of Art Collection : Silpakorn University, Bangkok, Thailand

Significant Abstract of Form D/91 Lithograph 70 x 87.5 cm.

Significant Abstract of Form G/91 Lithograph 70 x 87.5 cm. Award : Triennale Prize, Silver Medal, The 10th Norwegian, International Print Triennale, Fredrikstad, Norway 1992) Collection : - The National Museum, Oslo, Norway - The Museum of International Contemporary Graphic Arts, Fredrikstad, Norway - School of Art Institute of Chicago, USA

Significant Abstract of Form M.F.A./92/C Lithograph 70 x 100 cm.

Sankharn - Universe/1, 1995 Lithograph Is-70 x 100 cm.

Sankharn - Universe/5, 1995 Lithograph 70 x 100 cm.

Space – Time / 1, 1996 Lithograph, on Rives BFK paper 80 x 120 cm. Award : Honourable Diploma, 9th International Print Biennial Varna’97, Bulgaria Collection : - The Museum of Contemporary Art and Culture, Osaka, Japan - The Museum of International Contemporary Graphic Arts, Bulgaria - School of Art Institute of Chicago, USA Reference : Sightlines (Printmaking and Image Culture), University of Alberta, Canada

Space – Time / 2, 1996 Lithograph, on Rives BFK paper 80 x 120 cm. Collection : - School of Art Institute of Chicago, USA Reference : Sightlines (Printmaking and Image Culture), University of Alberta, Canada

Space – Time / 4, 1996 Lithograph, on Rives BFK paper 80 x 120 cm.