BIOGRAPHY

Born in 1926 in Bangkok. Began art educationat the Silpa Suksa School, Bangkok, and graduated with a Diploma in Fine Arts in 1959 from the Faculty of PaintingSculpture and Graphic Arts, Silpakorn University. After his graduation he becanme art lecturer at the Satit School of Chulalongkorn University, and retired himself to be freelance artist until his death in 1986. Hewas 60 years old. Suchao’s paintings were inspired by his life and surroundings. With freestyle lining and minimal colouring, Suchao executed his paintings with thick paints to create texture.

Suchao Sisganes is often noted for his truly innovative and captivating approach to the fascinating world of impasto painting, particularly highlighting his exceptional technique with the use of a palette knife. His unique method often incorporates a bas-relief style, where the paint is meticulously applied in such a way that it creates a raised surface on the canvas, bestowing a remarkable sculptural quality to his pieces. This method is skilfully achieved by layering thick applications of paint, which not only adds an impressive texture but also significantly contributes to the depth and richness of the overall composition.

When Sisganes employs white paint in his bas-relief work, the results can produce truly striking and visually captivating effects. White can serve as an essential foundation, allowing light to interact and play differently across the dynamic textures he creates. The way light dances across the varying heights of the impasto layers enhances the sense of movement and dimension, creating an immersive experience for the viewer, as they are drawn into the lively and engaging piece of art.

This fascinating combination of impasto and bas-relief techniques enables Sisganes to produce artworks that are not only visually striking but also inherently tactile, inviting viewers to engage with the surface of the artwork in a profoundly unique and interactive way. The deliberate use of white paint can evoke an array of feelings such as purity, tranquility, and simplicity, while still allowing for a remarkable exploration of complexity in both texture and form.

Suchao Sisganes employs pointillism techniques similar to Ben Day dots for shading and creating depth in his artworks. Pointillism, which uses small dots of color applied in patterns to form images, allows artists to achieve nuanced tonal variations and textures without traditional brushwork.

Ben Day dots, named after the American illustrator Benjamin Day, were used primarily in the printing process as a method to create shading and color gradients in comic books and illustrations. Both methods rely on the viewer’s perception to blend the dots or points into a cohesive image from a distance.

While Sisganes adapts pointillism in his art, it’s interesting to note that these techniques can influence contemporary visual art forms, emphasizing how traditional methods can be reinterpreted and innovated upon in modern contexts.

Suchao Sisganes stands out as a geometric artist who seamlessly blends tradition with modernity. His exploration of shape, color, and cultural storytelling through geometric abstraction contributes to the ongoing dialogue in contemporary art, inviting viewers to engage with both the aesthetic and conceptual dimensions of his work.